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Actually, I’ll give “The Asphalt Jungle” four and a half stars, as it stands as one of the great “films noir”, and another triumph for director, John Huston. This is a gritty, realistic portrait of the big city’s dark “underbelly”, circa 1950, and some of the shady characters who are trying to survive in this tough environment.
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Most of the people we meet in “Jungle” are crooks, with different skills–there is even the obligatory “cop on the take”. A brainy crook named “Doc” ( Sam Jaffe, excellent as usual ) has just been released from jail, where he has clearly not been rehabilitated ! He has planned a big jewellery heist. Of course, he needs help to pull it off. With the assistance of the local bookie, “Cobby” ( sweaty, nervous Marc Lawrence ), he recruits an expert safe-cracker, “Louis” ( desperate Anthony Caruso ), a getaway driver, “Gus” ( cool-under-fire James Whitmore ) and, for muscle, a bitter, tough-as-nails hood, “Dix” (an unshaven Sterling Hayden, never better ). To bankroll the whole operation, our gang brings in a sleazy lawyer named Emmerich, played with smarmy elitism by Louis Calhern.
Of course, you know what can happen to “the best laid plans”. Unforeseen problems, accidents and the personal faults of the individuals involved cause Doc’s “perfect plan” to go off the rails. There is much more to the plot, not to mention some interesting sub-plots, but I don’t like to spoil movies for first-time viewers, so I will not reveal more of the story-line.
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I would like to mention a few other performances though that further contribute to a fine film. Jean Hagen plays “Doll”, Dix’s long-suffering girlfriend, a very different role to her ditzy, petulant “star” in “Singin’ in the Rain”–what a versatile actress ! John McIntire registers strongly as the Police Commissioner, a job obviously not for “nice guys” ! Brad Dexter has a few memorable scenes as a private eye.
Finally, Emmerich’s mistress, “Angela”, is played by a young actress just starting her career in movies–Marilyn Monroe. Her acting here may not be on a par with the other actors, but her glamour and charisma still leap off the screen.
The DVD exhibits a reasonable black and white picture, with some occasional wear–sound of course is mono. Extras include a trailer, a brief introduction by John Huston, optional comments by film scholar, Drew Casper, and even a few reminiscences by cast-member, James Whitmore ( his comments on Marilyn are interesting ).
Bottom line–if you like classic, hard-boiled film noir, “The Asphalt Jungle” rates with the best. You are in for 112 minutes of gripping entertainment. Recommended.
A very sad footnote, dated 16 February 2009–Mr. James Whitmore has passed away. This fine actor had a long career in film, television and in the theatre, where he displayed a remarkable talent in so many different roles.
When director John Huston was edged out of the production of The Killers, he was determined to create a landmark film that would define and embody professional crimminality. Huston exceeded his expectations. The Asphalt Jungle is the seminal “caper film” which inspired a host of similar pictures. Huston assembled a superb cast where each actor represented a character who possessed a special skill needed to complete a million dollar jewel heist. Sam Jaffe is Doc Reidenschneider-the mastermind, Anthony Caruso is Louie Ciavelli- the safe cracker, Marc Lawrence is Coby- the bookmaker who finances the operation, Sterling Hayden is Dix Handley- the enforcer, James Whitmore is Gus- the wheelman,and Louis Calhern is Emmerich- the corrupt attorney who acts as a fence. The characters, especially Doc, Louie, Dix, and Gus, are sketched with blatant realism. Each character is proud of their status and existence within the underworld. Their careers and reputations hinge on their acceptance by fellow professionals. Huston injects the virtues of trust, loyalty, and respect into their crimminal circle and simultaneously questions the code of honor among the rightousness. Emmerich sums up this dichotomy with a memorable line: “There’s nothing so different about them (crimminals). Crime is only a left-handed form of human endeavor.” Morality, an issue in most noir films becomes blurred as Emmerich and a graft accepting detective become viewed as figures more contemptable than the crimminals involved in the heist. Sterling Hayden as Dix delivers his most memorable performance. Dix is not just another tough henchman, but a troubled loner trying to …”wash this city dirt off me”. Huston allows viewers unabashed insight into each of his characters. Doc with his predilection for nubile young girls, Gus’s conscious awareness of his physical deformity, Louie’s familial responsibilities, and Emmerich’s moral disintegration add to the film’s realism. The Asphalt Jungle is one of the premier black and white films ever made. John Huston’s creative energy is evident in every line and scene. Truely American film making at its best.