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WARNING: SPOILERS TOWARDS THE Slay…I went into this movie thinking that it would be an entirely different thing, more fatal attraction than what it actually was. However, seeing the movie, I can understand how some people might feel as if they were jipped because the loyal movie is different than what the previews accomplish it out to be, but the truth of it is, this movie tells about the consequences of how one person can affect all those around them. In this diagram, I own that its more right life than hollywood. Although I admit, the movie can be monotonous in the middle, especially when the viewer figures out whats happening and whats going to happen faster than the movie moves, it is towards the destroy where the spot really starts to buy up and I guarantee you, at the very raze when Josh Hartnett and Diane Kruger are unprejudiced about to derive each other, but yet preserve on missing each other by fate, you literally want to weep and throw something because you want it as grand as they do. Its a big movie, but only for those that can indulge in it for what it is, a myth about unbreakable admire between two people struggling to accumulate through all odds and rep it for what its not, a high-paced thriller.
This film vacillates between romance, mystery and occasional flashes of humor, and the legend is accompanied by a varied and sometimes overly loud sountrack. It is simultaneously a chronicle of lost opportunities, the search for closure, and the pursuit of a dream (or is it a romantic obsession? ) sequenced in an inviting and clever manner by Director Paul McGuigan. It is almost two hours in length and the storyline takes shape slowly at the beginning, so a theatergoer should be prepared for it to choose a while to become alive to with the characters and for the amble to urge.
The movie opens with Matt (Josh Hartnett) rushing to a Chicago restaurant to meet his girlfriend and her family before he is scheduled to leave for Shanghai on a business hurry. (He is employed by his girlfriend’s brother.) Luke (Matthew Lillard), an worn friend who does not know that Matt has returned to Chicago from living in NYC, spots him on the street as he is about to enter the restaurant and Matt promises that they will catch together when he returns from China. While making a visit to the restroom after using the pretext of the need to do a phone call (apparently he doesn’t beget a cell phone) when the discussion of marriage was brought up, Matt accidentally overhears a phone conversation piquant a woman who apparently fears for her safety. Once he concentrates upon the call, he is convinced it is the say of his archaic girlfriend Lisa, who mysteriously disappeared overnight two years ago. Her unexplained absence after failing to meet her for a planned rendezvous in WICKER PARK caused the heartbreak which resulted in his decision to fade to NYC. The woman rushes from the restaurant before he can confront her, but he finds a hotel key left folded in a newspaper in the phone booth. One of the few predictable moments in the movie occurs when Matt decides he has to attempt to locate the woman and choose if it is indeed Lisa, with whom he is tranquil obsessed.
So, Matt’s odyssey begins. He enlists Luke’s benefit, who is of course troubled that Matt would postpone his business scurry and pick the chance of completely ruining his original relationship. However, in a flashback we soon gawk that Luke played a notable role in Matt’s initial meeting with Lisa (Diane Kruger) . Furthermore, the site of Luke’s relationship with his girlfriend and budding actress Alex (Rose Byrne) leaves a lot to be desired. The complexity of the interrelationships betwen the characters is gradually revealed, and while the surprise at the center of the myth is not as tall as that in the SIXTH SENSE, many of the same cinematic techniques of time shifting, misdirection, and well disguised clues are employed. Since I do not want to include any spoilers, I will simply summarize the yarn by saying that the tension builds gradually as the degree of the manipulation resulting from the romantic obsession of one of the characters is gradually revealed.
This is not a film for moviegoers who like linear dwelling expositions and easily categorizable stories. The element which causes it to rise above the usual mundane two or three star film about a manipulative psycho acting out a romantic fantasy is the structure of the film. The chronicle is told in very nonlinear fashion, with cuts to flashbacks of events two years ago becoming more frequent as the film proceeds. Flashbacks to events that have honest transpired are also interspersed, but these are experienced from the point of opinion of other than the important narrator Matt. On occasion the technique was disorienting until I became accustomed to it, because the viewer has to figure out when the action is occuring. But if you end alert, it was a very efective draw of illuminating the events keen and adding contex through the hasty changing perspectives. I definitely would have to examine the film again in order to glance how often such juxtapositions could actually be recognized by an alert moviegoer and how many were totally a function of utilizing closeups which obscured the totality of the action. In summary, this is a technically involving and well acted film telling a moderately gripping. The tension is palpable, because the viewer is never certain until the ruin whether it is primarily a romance or a psyhological thriller. (I certainly won’t jabber!) In conclusion, this is a sage of both shattered lives and restored dreams.
Tucker Andersen
I was very skeptical when I started this film. I notion it was going to be another – boy meets girl, boy loses girl, boy mopes around for awhile before he gets girl back- film. I was sorely unsuitable.
Josh Hartnett plays Matthew who is on his device to Shanghai for business, when he spots who he thinks is the girl that left him high and dry two years before, Lisa, played by Diane Kruger (was Helen in ‘Troy’) . So lying to his unique girlfriend he instead tries to track down Lisa. Following a swagger of what, to him, could lead only to Lisa. He does a few things that do you examine his sanity. When he finally reaches the demolish of the run the girl he does procure, Lisa/Alex, played by Rose Byrne. Obviously not his Lisa. But there is something wrong lurking tedious the account of this girl and there are far too many coincidences connecting the two women.
Hartnett is wonderfully tortured, lost, confused, but at the same time so sure to secure the savor of his life. His film roles are steadily getting better and better.
Byrne demands sympathy from the viewer, bringing a whole fresh meaning to “I saw him first.” Matthew Lillard is mammoth as Hartnett’s best friend, Luke, who is trying to serve him but at the same time, knock some sense into him.
This was a substantial film. By the kill of it I wanted Hartnett to bag his closure so poor that I found myself yelling ” NO” every time a current obstacle was thrown in his design.
The final scene is glorious and touching. A perfect ending to a astonishing film.
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